The wall version of Simon Schmitz's Figra carries the same idea as the table light — two contrasting geometries held in balance, a volume of light meeting a volume of color — flattened to the wall. A dual-sided diffuser throws ambient light in both directions, so it reads as a small sculpture unlit and a soft wash once on. Schmitz trained in art before turning to lighting, and treats the form as an engineering problem solved in geometry.