Established & Sons × Mauro Pasquinelli
Mauro Stacking Chair
$640
–
$1,630
$640
–
$1,630
$640
–
$1,630
$640
–
$1,630
$640
–
$1,630
$640
–
$1,630
$640
–
$1,630
$640
SKU: EST-6309
$640
SKU: EST-6456
$820
SKU: EST-6311
$1,210
SKU: EST-6494
$1,210
SKU: EST-6496
$1,570
SKU: EST-6497
$850
SKU: EST-7984
$1,630
SKU: EST-7985
Description
This hardworking, irrepressibly stylish and stackable wood chair—named for its renowned designer Mauro Pasquinelli—was first created as a prototype in 1976 but thought too ambitious for wider distribution at the time. Now, with computer-assisted production, Established & Sons brings the chair to the market for the first time. Built in Manzano in northern Italy, a global hub for high-quality furniture-making, the understated seating is available in the finest European oak or solid ash, with an air of comfort and functionality that makes it ideal in a wide variety of settings.
Specifications
Size
- 30.3" h x 20.3" w x 19.3" d (77x51.5x49cm)
- Seat height: 17.7" (45cm)
Material
Oak or ash veneer plywood
Details
Stackable
Brand
Established & Sons
“We have an opportunity to do something different,” says founder Sebastian Wrong of this British brand’s approach to furniture, lighting and a smattering of tabletop essentials and clocks. “To get a piece that you would love today but also your kids would really enjoy.”
Wrong was among the dream team of innovators— Mark Holmes, Wallpaper magazine ex-publisher Alasdhair Willis, marketer Tamara Caspersz and executive Angad Paul—when the brand launched at the 2005 London Design Festival. Their mandate was encapsulated by the name: “Established,” a clue to the respected design and creators in their fold; “Sons,” a nod to the new generation of talent.
A commitment to skilled craftsmanship and cutting-edge production continues today, if only Wrong remains at the helm. After stints with Hay and other larger brands, he returned in 2017 as creative director and to contribute his own distinctive pieces.
E&S is succeeding in its goal to add to the design vernacular with works such as Amanda Levete’s striking concrete Drift series and Ronan and Erwan Bouroullec’s breakthrough Grid modular environments. So, too, has Wrong’s own distinct work, including the Filigrana lighting that recasts traditional Venetian glassworks in an updated vernacular, and the Wrongwood furniture and trays, which he collaborated on with Brit artist Richards Woods.