A matte white lamp made of several rounded, pill-shaped lobes joined at the centre like a jack
A white matte light shaped like a jack, with six rounded capsule arms crossing at the centre
A glowing white lamp of four rounded, pill-shaped arms joined at the centre like a jack
A white cross-shaped light with four rounded arms and a central dome, hung among tree branches in a garden
A glowing white floor lamp shaped like a four-armed jack, on paving outside a dark shop window
A glowing white lamp with rounded, petal-like arms seen from above on a dark metal grate
A tall stack of white rounded, jack-shaped lights on a lawn beside a person touching the top one
A white jack-shaped portable light on grass beside a pale round table and two ridged chairs
Two white lobed lights shaped like clustered rounded crosses on a paved patio beside a glass wall
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Tom Dixon

Jack Portable Light

$635

SKU: TD-JAPO01WHUN

Average lead time: 1 week


Description

A portable LED lamp in the shape of a toy jack with adjustable, dimmable light and a rechargeable battery for hours of use. Its IP65 rating makes it suitable for indoor and outdoor spaces adding a playful touch to any environment.

Specifications

Size

  • 20.5" h x 22.8" w x 22.8" d (52x57.9x57.9cm)
  • Cable length: 78.7" (200cm)

Material

Polyethylene

Technical

  • UL listed
  • LED
  • Color temperature: 2700K
  • Dimmable
  • Bulb included
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Brand

Tom Dixon

“If there are rules to design, I don’t know what they are,” declares self-taught Tom Dixon. This Tunisian-born Brit started out with stints painting cartoons, as a printer, then bass player in a disco-funk outfit. But it was honing his welding skills in an auto body repair shop that led to a design breakthrough, the now revered S Chair for Cappellini. From there, after several years helming design at the iconic Habitat during its prime years, he established his eponymous brand in 2002 and with it a body of near-unrivaled work.

Tom Dixon is synonymous with the idiosyncratic sensibilities that inform so much of British aesthetics, yet by a beat all his own. He challenges with his use of materials in unexpected applications, and reworkings of otherwise conventional classics into elegant gems. His remarkable creative output covers a wide swath of categories, among them at A+R, his lighting, furniture, décor, tabletop and barware. Tom also manages to extend his exhaustive vision to hotels, restaurants—including his own at this wonderful campus at the Coal Drops Yard in King’s Cross—and the odd home. For good reason this OBE’s design work now resides in the collections of the V&A, MoMA and the Pompidou.


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