Panorama Chair: Pure Oak
Panorama Chair: Pure Oak
Panorama Chair: Grey Green Oak
Panorama Chair: Grey Green Oak
Panorama Chair: Indigo Blue Oak
Panorama Chair: Indigo Blue Oak
Panorama Chair: Grain Grey Oak
Panorama Chair: Grain Grey Oak
Panorama Chair: Black Oak
Panorama Chair: Black Oak
Panorama Chair
Panorama Chair
Panorama Chair
Panorama Chair

Karimoku New Standard × Geckeler Michels

Panorama Chair

$770

$770

SKU: KNS-C3425AME

Average lead time: 10-12 weeks

$770

SKU: KNS-C3425AM000

Average lead time: 10-12 weeks

$770

SKU: KNS-C3425AG000

Average lead time: 10-12 weeks

$770

SKU: KNS-C3425AY000

Average lead time: 10-12 weeks

$770

SKU: KNS-C3425AD000

Average lead time: 10-12 weeks


Description

Perhaps only Karimoku New Standard could have delivered such a finely crafted and appealingly tactile workaday chair. Panorama, in sustainably sourced Japanese oak, features generous dimensions and a striking bent-plywood seat and backrest as envisioned by Berlin-based designers David Geckeler and Frank Michels. Ideal for professional environs such as meeting rooms, lecture halls and hospitality spaces, the chair is also conveniently stackable when not in use. 

Specifications

Size

  • 31.5" h x 21.1" w x 20.5" d (80x53.5x52cm)
  • Seat height: 17.7" (45cm)

Material

Oak

Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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