Castor Lobby Sofa: 3
Castor Lobby Sofa: 3
Castor Lobby Sofa: 3
Castor Lobby Sofa: 2
Castor Lobby Sofa: 2
Castor Lobby Sofa: 2
Castor Lobby Sofa: 1
Castor Lobby Sofa
Castor Lobby Sofa: 3
Castor Lobby Sofa: 3
Castor Lobby Sofa: 3
Castor Lobby Sofa: 2
Castor Lobby Sofa: 2
Castor Lobby Sofa: 2
Castor Lobby Sofa: 1
Castor Lobby Sofa
Karimoku New Standard × Big-Game
Castor Lobby Sofa
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
$2,525
–
$7,025
Description
The Lobby Sofa showcases soft cushions complemented by a straight, oak wood frame with a low-profile backrest. Fully modular, the sofa system allows for various configurations, making it adaptable for different settings like lobbies, lounges, or social spaces. Its versatility and refined design make it ideal for both private and public use. Availble in 1, 2, or 3 seats.
Specifications
Size
- 3 Seater: 26.8" h x 79.5" w x 29.1" d (68x206.5x74cm)
- 2 Seater: 26.8" h x 54.1" w x 29.1" d (68x141.5x74cm)
- 1 Seater: 26.8" h x 28.5" w x 29.1" d (68x76.5x74cm)
- Seat height: 15.4" (39cm)
- Arm height: 22.8" (58cm)
Material
Oak
Details
Upholstery
- Mode
- Merit
- Vidar 3
- Steelcut Trio 3
- Coda 2
- COM and COL are available on request
Brand
Karimoku New Standard
It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.
The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”
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–
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