Spectrum High Table: Black Oak
Spectrum High Table: Pure Oak
Spectrum High Table: Black Oak
Spectrum High Table: Pure Oak
Spectrum High Table: Pure Oak
A tall rectangular table in dark grey with splayed Y-shaped legs, and a small round stool beneath
Close-up corner of a light oak table with a thin top and splayed Y-shaped legs joined by a rail
Close-up of a light oak table with a thin top and splayed legs beside a round wooden stool
Close-up of a thin black table top edge above a dark wood crossbar and angled legs
A tall rectangular light oak table with splayed Y-shaped legs, a crossbar and a round-seated stool beneath
Close-up of a light oak table corner with a thin top and splayed Y-shaped legs joined by a crossbar
A light oak high table with a Y-shaped base beside a round-seated oak stool with four legs

Karimoku New Standard × Geckeler Michels

Spectrum High Table

$3,900

$3,900

SKU: KNS-D345BBM191

Average lead time: 10-12 weeks

$3,900

SKU: KNS-D345BBE191

Average lead time: 10-12 weeks


Description

Berlin studio Geckeler Michels functionalist approach marries with a sense of Japanese minimalism in Spectrum High, conceived for dynamic working or for ad-hoc meetings for 4 to 6 people while standing or sitting on stools. With a distinctive trestle base, Karimoku New Standard's carefully crafted table is made from sustainably sourced, solid Japanese oak and offers the choice of a black or natural finish.

Specifications

Size

40.6" h x 74.8" w x 37.4" d (103x190x95cm)

Material

Oak

Brand

Karimoku New Standard

It has always been about the wood. Shohei Kato opened a small woodworking shop in 1940 from a longstanding timber firm he acquired in Kariya. The first letters of the town name combined with “moku,” as in “mokuzai” ( “wood”) provided the brand name. Furniture followed within 2 decades, along with several brands under the Karimoku umbrella. Then in 2009, with his grandson Hiroshi Kato as vice president, the Karimoku New Standard branch launched to develop works with international designers in the modern design arena.

The star roster includes Swedish studio TAF, the Swiss team Big-Game and Dutch duo Scholten & Baijings. Among them is David Glaettli, who also serves as KNS brand creative director and dubbed its credo as “high-tech and high-touch.” The highly skilled Japanese carpentry and hand-applied painting that are a part of the parent company heritage are integral to KNS. It also looks forward, revitalizing native forests by targeting undervalued, sustainably grown hardwoods. Advanced technologies have elevated the low-diameter chestnut, maple and oak trees, once turned into wood chips for paper pulp, into something of lasting beauty. The aim, notes Hiroshi, is “furniture that will be used and loved for more than 100 years.”


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