Reflect Table Lamp: Matt Red
Reflect Table Lamp: Matt Red
Reflect Table Lamp: Grey + Satin
Reflect Table Lamp: Grey + Satin
Reflect Table Lamp: Matt Red
Reflect Table Lamp: Matt Red
Reflect Table Lamp: Grey + Satin
Reflect Table Lamp: Grey + Satin
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
Reflect Table Lamp
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Verpan × Verner Panton

Reflect Table Lamp

$615

$615

SKU: VRPN-103589

Contact info@aplusrstore.com for current lead times

$615

SKU: VRPN-103591

Contact info@aplusrstore.com for current lead times

$615

SKU: VRPN-135076

Contact info@aplusrstore.com for current lead times


Description

Verner Panton’s 1980 table lamp only now debuts, based on previously unrealized drawings from the late designer’s archive. "The light represents a great example of his ingenuity and profound understanding of how to manipulate light to create a desired setting or mood," says maker Verpan. Reflect employs a slanted disc shade which diffuses the light coming from the base of the column lamp. Crafted in powder-coated steel, the downward-facing surface of the disc is finished in white to maximize light reflection.

Specifications

Size

  • 23.6" h x 11.8" dia (60x30cm)
  • Cord length: 98.4" (250cm)

Material

Powder-coated steel

Technical

  • Contact us for UL details
  • E12
  • Bulb not Included
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Brand

Verpan

A sensation when it arrived in 1967, Verner Panton’s iconic S chair (commonly cited as just the Panton chair) from the legendary Danish designer (1926-1998) cemented his reputation as a true innovator. An ineffable character in his own right, Panton left an enormous body of colorful, inventive and unmistakably “Verner” lighting, furniture and accessories that posses timeless appeal. With the originals long sought-after by collectors, Verpan, a Danish furniture and lighting firm dedicated itself to the works of its fellow countryman, acquired the exclusive rights to a significant measure of his work in close collaboration with the Panton estate and his widow Marianne Panton.

Verpan was established in 2003 with the production of lighting and expanded in 2010 when a furniture range was added. The dedicated Panton manufacturer not only continues to offer legacy designs made during the designer’s lifetime but also is now beginning to introduce pieces of furniture that were never before put into production from an archive of his original sketches. In doing so, they continue Panton’s pioneering spirit. As he said, “A less successful experiment is preferable to a beautiful platitude.”

Designer

Verner Panton

Verner Panton has been called the most un-Danish of famous Danish designers. His 1960 breakthrough, the injection-molded, plastic S Chair, vividly summed up his experimental nature, propensity for bold color and relish for new materials. Then regarded as the bad boy of post-war Scandinavian design, he had originally studied architecture at the Royal Art Academy in Copenhagen, graduating in 1951. After a 2-year stint in the offices of fellow Dane Arne Jacobsen, he struck out on his own and his early architectural proposals using unlikely elements such as cardboard and plastics attracted wide notice.

One of the iconic designers of the 20th century, Verner’s work was animated with a sense of fun and remains popular and influential today. “Most people spend their lives living in dreary, grey-beige conformity, mortally afraid of using colors,” said the designer, who died in 1998. “I try to show new ways, to encourage people to use their imagination and make their surroundings more exciting.”


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